‘The Love Witch’ Review

Without question one of the year’s most talked about genre releases, The Love Witch, a years-long labour of love from writer, director, producer and costume and set designer Anna Biller, is fully deserving of the hype it has been steadily amassing since it first began turning heads on the festival circuit last year. Unflinching and totally convincing in its commitment to its atmosphere and retro visual flair, this is a hugely entertaining piece of work that is both an effective homage to sixties and seventies horror and a smartly observed riff on long-standing genre gender politics.

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